These two short poems will charm and amuse you.

The Things You Never Knew About Dinosaurs by Giles Paley-Phillips

and

The Bump in the Rug by Anne-Marie Williams

if you didn’t know just how cool and laid back dinosaurs really are, then you really need to listen to the poem by Giles who is an up and coming poet for both adults and children. You can check out his site here where he has more poems.

Anne-Marie is the mother of Storynory listener Aline. It’s a lovely poem that describes a domestic scene with a touch of drama and suspense.

Although both these poems were sent in by listeners, we have to stress that this is a one-off. If you would like us to consider your poems and stories, please wait until our Christmas writing competition when we’ll give everyone a chance.

Read by Natasha. Duration 5.10.

The Things you never knew about dinosaurs.

Dinosaurs eat sausages, dinosaurs fly kites,
And if they’re not ironing clothes, they ride around on bikes.
Dinosaurs love climbing and dabbling in the arts,
When a dinosaur falls asleep, it dreams of playing darts.
Dinosaurs like rock’n’roll, singing and strumming guitar.
After dinner, they clean their teeth, with jam and caviar.
Yes dinosaurs do lots of things;
you never thought were true,
If a dinosaur wants its lunch, take care it could be you!

The Bump in The Rug.

I walked into the living room
And much to my surprise
There’s a bump in the rug
Oh my, Oh my!

It is rolling and wriggling and moves from
Side to side Oh what could it be?
I think I’ll run and hide.

But no, I must be brave
I will not run away
This bump in the rug will not chase me away

I go get a broom
To poke it just to see
The bump lets out a gurgle
Then moves towards me

The bump has reached my feet
I am frozen in one place
Suddenly I can feel something tugging on my shoelace.

I crouch down very quietly
To have a little peek
I finally have the courage to go ahead and speak.

“Are you a monster?”

The bump does not answer

But grows bigger and bigger
Until al last……………

POPS OUT MY LITTLE SISTER!

We laugh and we giggle
And both crawl under and hide
Suddenly we hear footsteps
And mom lets out a cry.

There’s a bump in my rug!
Oh my, Oh my!

This wonderful poem is by the master of sound and nonsense, Edward Lear. It tells the stories of some small people who might have been the Victorian equivalent of the Teletubbies ( Their heads are green, and their hands are blue). Like the Owl and the Pussycat, they set out on a poetic journey across the seas. Their craft - a sieve - doesn’t sound very seaworthy, but somehow, after 20 years they return to the Land of the Jumblies.

Read by Natasha. Duration 6.34

I

They went to sea in a Sieve, they did,
In a Sieve they went to sea:
In spite of all their friends could say,
On a winter’s morn, on a stormy day,
In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, ‘You’ll all be drowned!’
They called aloud, ‘Our Sieve ain’t big,
But we don’t care a button! we don’t care a fig!
In a Sieve we’ll go to sea!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.

II

They sailed away in a Sieve, they did,
In a Sieve they sailed so fast,
With only a beautiful pea-green veil
Tied with a riband by way of a sail,
To a small tobacco-pipe mast;
And every one said, who saw them go,
‘O won’t they be soon upset, you know!
For the sky is dark, and the voyage is long,
And happen what may, it’s extremely wrong
In a Sieve to sail so fast!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.

III

The water it soon came in, it did,
The water it soon came in;
So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
And they fastened it down with a pin.
And they passed the night in a crockery-jar,
And each of them said, ‘How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
While round in our Sieve we spin!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.

IV

And all night long they sailed away;
And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,
In the shade of the mountains brown.
‘O Timballo! How happy we are,
When we live in a Sieve and a crockery-jar,
And all night long in the moonlight pale,
We sail away with a pea-green sail,
In the shade of the mountains brown!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.

V

They sailed to the Western Sea, they did,
To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
And no end of Stilton Cheese.
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.

VI

And in twenty years they all came back,
In twenty years or more,
And every one said, ‘How tall they’ve grown!
For they’ve been to the Lakes, and the Torrible Zone,
And the hills of the Chankly Bore!’
And they drank their health, and gave them a feast
Of dumplings made of beautiful yeast;
And every one said, ‘If we only live,
We too will go to sea in a Sieve,—
To the hills of the Chankly Bore!’
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.

Natasha’s reading of The Owl and the Pussycat by Edward Lear is an old favourite on Storynory. And this verse, about an equally unlikely match - a Duck and a Kangaroo - is the follow-up.

If a duck married a kangaroo, their children might be duck-billed platypuses. Well there’s a thought that might or might not have occurred to Edward Lear when he published his Nonsense Songs, Stories Botany and Alphabets, in 1871. Like the owl and the pussycat, the two go off traveling together, though Lear doesn’t say whether or not these two get married.

Pictures by Lear and slightly later ones by William Foster can be viewed here or as a slide show here.
Read by Natasha. Duration 4.12

THE DUCK AND THE KANGAROO.

I.

Said the Duck to the Kangaroo,
“Good gracious! how you hop Over the fields, and the water too,
As if you never would stop! My life is a bore in this nasty pond;
And I long to go out in the world beyond:
I wish I could hop like you,” Said the Duck to the Kangaroo.

II.

“Please give me a ride on your back,”
Said the Duck to the Kangaroo: “I would sit quite still, and say nothing but ‘Quack’
The whole of the long day through; And we ‘d go the Dee, and the Jelly Bo Lee,
Over the land, and over the sea:
Please take me a ride! oh, do!” Said the Duck to the Kangaroo.
The Duck and the Kangaroo

III.

Said the Kangaroo to the Duck,
“This requires some little reflection. Perhaps, on the whole, it might bring me luck;
And there seems but one objection; Which is, if you’ll let me speak so bold,
Your feet are unpleasantly wet and cold,
And would probably give me the roo- Matiz,” said the Kangaroo.

IV.

Said the Duck, “As I sate on the rocks,
I have thought over that completely; And I bought four pairs of worsted socks,
Which fit my web-feet neatly; And, to keep out the cold, I’ve bought a cloak;
And every day a cigar I’ll smoke;
All to follow my own dear true Love of a Kangaroo.”

V.

Said the Kangaroo, “I’m ready,
All in the moonlight pale; But to balance me well, dear Duck, sit steady,
And quite at the end of my tail.”
The Duck and the Kangaroo

So away they went with a hop and a bound;
And they hopped the whole world three times round.
And who so happy, oh! who, As the Duck and the Kangaroo?
The Duck and the Kangaroo

Download the Ipod Video Version of the Pied Piper

Slide Show Part Two

MP3 Audio

Download the MP3 audio of the Pied Piper (right click, save as)

This famed story of the greatest rat-charmer of all time was told by the Brothers Grimm, but this is even more special: the verse version by the Victorian poet Robert Browning (1812-1889).

Actually, we have two versions: The MP3 audio file as usual, as well as a slide show in which Natasha’s reading is synced with the beautiful illustrations of Kate Greenaway (1846 - 1901).

You can also download a version that will play in a video iPod, in iTunes or Quicktime from this page. This is probably our highest quality video. Read, as usual, by the one and only Natasha.THE PIED PIPER OF HAMELIN

I.

Hamelin Town’s in Brunswick,
By famous Hanover city;
The river Weser, deep and wide,
Washes its wall on the southern side;
A pleasanter spot you never spied;
But, when begins my ditty,
Almost five hundred years ago,
To see the townsfolk suffer so
From vermin, was a pity.

II.

Rats!
They fought the dogs and killed the cats,
And bit the babies in the cradles,
And ate the cheeses out of the vats.
And licked the soup from the cook’s own ladles,
Split open the kegs of salted sprats,
Made nests inside men’s Sunday hats,
And even spoiled the women’s chats,
By drowning their speaking
With shrieking and squeaking
In fifty different sharps and flats.

III.

At last the people in a body
To the Town Hall came flocking:
“Tis clear,” cried they, “our Mayor’s a noddy;
And as for our Corporation–shocking
To think we buy gowns lined with ermine
For dolts that can’t or won’t determine
What’s best to rid us of our vermin!
You hope, because you’re old and obese,
To find in the furry civic robe ease?
Rouse up, sirs! Give your brains a racking
To find the remedy we’re lacking,
Or, sure as fate, we’ll send you packing!”
At this the Mayor and Corporation
Quaked with a mighty consternation.

IV.

An hour they sate in council,
At length the Mayor broke silence:
“For a guilder I’d my ermine gown sell;
I wish I were a mile hence!
It’s easy to bid one rack one’s brain–
I’m sure my poor head aches again,
I’ve scratched it so, and all in vain
Oh for a trap, a trap, a trap!”
Just as he said this, what should hap
At the chamber door but a gentle tap?
“Bless us,” cried the Mayor, “what’s that?”
(With the Corporation as he sat,
Looking little though wondrous fat;
Nor brighter was his eye, nor moister
Than a too-long-opened oyster,
Save when at noon his paunch grew mutinous
For a plate of turtle green and glutinous)
“Only a scraping of shoes on the mat?
Anything like the sound of a rat
Makes my heart go pit-a-pat!”

V.

“Come in!”–the Mayor cried, looking bigger:
And in did come the strangest figure!
His queer long coat from heel to head
Was half of yellow and half of red,
And he himself was tall and thin,
With sharp blue eyes, each like a pin,
And light loose hair, yet swarthy skin
No tuft on cheek nor beard on chin,
But lips where smile went out and in;
There was no guessing his kith and kin:
And nobody could enough admire
The tall man and his quaint attire.
Quoth one: “It’s as my great-grandsire,
Starting up at the Trump of Doom’s tone,
Had walked this way from his painted tombstone!”

VI.

He advanced to the council-table:
And, “Please your honours,” said he, “I’m able,
By means of a secret charm, to draw
All creatures living beneath the sun,
That creep or swim or fly or run,
After me so as you never saw!
And I chiefly use my charm
On creatures that do people harm,
The mole and toad and newt and viper;
And people call me the Pied Piper.”
(And here they noticed round his neck
A scarf of red and yellow stripe,
To match with his coat of the self-same cheque;
And at the scarf’s end hung a pipe;
And his fingers they noticed were ever straying
As if impatient to be playing
Upon his pipe, as low it dangled
Over his vesture so old-fangled.)
“Yet,” said he, “poor Piper as I am,
In Tartary I freed the Cham,
Last June, from his huge swarms of gnats,
I eased in Asia the Nizam
Of a monstrous brood of vampyre-bats:
And as for what your brain bewilders,
If I can rid your town of rats
Will you give me a thousand guilders?”
“One? fifty thousand!”–was the exclamation
Of the astonished Mayor and Corporation.

VII.

Into the street the Piper stept,
Smiling first a little smile,
As if he knew what magic slept
In his quiet pipe the while;
Then, like a musical adept,
To blow the pipe his lips he wrinkled,
And green and blue his sharp eyes twinkled,
Like a candle-flame where salt is sprinkled;
And ere three shrill notes the pipe uttered,
You heard as if an army muttered;
And the muttering grew to a grumbling;
And the grumbling grew to a mighty rumbling;
And out of the houses the rats came tumbling.
Great rats, small rats, lean rats, brawny rats,
Brown rats, black rats, grey rats, tawny rats,
Grave old plodders, gay young friskers,
Fathers, mothers, uncles, cousins,
Cocking tails and pricking whiskers,
Families by tens and dozens,
Brothers, sisters, husbands, wives–
Followed the Piper for their lives.
From street to street he piped advancing,
And step for step they followed dancing,
Until they came to the river Weser
Wherein all plunged and perished!
–Save one who, stout as Julius Caesar,
Swam across and lived to carry
(As he, the manuscript he cherished)
To Rat-land home his commentary:
Which was, “At the first shrill notes of the pipe,
I heard a sound as of scraping tripe,
And putting apples, wondrous ripe,
Into a cider-press’s gripe:
And a moving away of pickle-tub-boards,
And a leaving ajar of conserve-cupboards,
And a drawing the corks of train-oil-flasks,
And a breaking the hoops of butter-casks:
And it seemed as if a voice
(Sweeter far than by harp or by psaltery
Is breathed) called out, ‘Oh rats, rejoice!
The world is grown to one vast drysaltery!
So munch on, crunch on, take your nuncheon,
Breakfast, supper, dinner, luncheon!’
And just as a bulky sugar-puncheon,
All ready staved, like a great sun shone
Glorious scarce an inch before me,
Just as methought it said, ‘Come, bore me!’
–I found the Weser rolling o’er me.”

VIII.

You should have heard the Hamelin people
Ringing the bells till they rocked the steeple
“Go,” cried the Mayor, “and get long poles,
Poke out the nests and block up the holes!
Consult with carpenters and builders,
And leave in our town not even a trace
Of the rats!”–when suddenly up the face
Of the Piper perked in the market-place,
With a, “First, if you please, my thousand guilders!”

IX.

A thousand guilders! The Mayor looked blue;
So did the Corporation too.
For council dinners made rare havoc
With Claret, Moselle, Vin-de-Grave, Hock;
And half the money would replenish
Their cellar’s biggest butt with Rhenish.
To pay this sum to a wandering fellow
With a gipsy coat of red and yellow!
“Beside,” quoth the Mayor with a knowing wink,
“Our business was done at the river’s brink;
We saw with our eyes the vermin sink,
And what’s dead can’t come to life, I think.
So, friend, we’re not the folks to shrink
From the duty of giving you something to drink,
And a matter of money to put in your poke;
But as for the guilders, what we spoke
Of them, as you very well know, was in joke.
Beside, our losses have made us thrifty.
A thousand guilders! Come, take fifty!”

X.

The Piper’s face fell, and he cried,
“No trifling! I can’t wait, beside!
I’ve promised to visit by dinner-time
Bagdad, and accept the prime
Of the Head-Cook’s pottage, all he’s rich in,
For having left, in the Caliph’s kitchen,
Of a nest of scorpions no survivor:
With him I proved no bargain-driver,
With you, don’t think I’ll bate a stiver!
And folks who put me in a passion
May find me pipe after another fashion.”

XI.

“How?” cried the Mayor, “d’ ye think I brook
Being worse treated than a Cook?
Insulted by a lazy ribald
With idle pipe and vesture piebald?
You threaten us, fellow? Do your worst,
Blow your pipe there till you burst!”

XII.

Once more he stept into the street,
And to his lips again
Laid his long pipe of smooth straight cane;
And ere he blew three notes
(such sweet
Soft notes as yet musician’s cunning
Never gave the enraptured air)
There was a rustling,
that seemed like a bustling
Of merry crowds justling at pitching and hustling,
Small feet were pattering, wooden shoes clattering,
Little hands clapping and little tongues chattering,
And, like fowls in a farm-yard when barley is scattering,
Out came the children running.
All the little boys and girls,
With rosy cheeks and flaxen curls,
And sparkling eyes and teeth like pearls.
Tripping
and skipping,
ran merrily after
The wonderful music with shouting and laughter.

XIII.

The Mayor was dumb, and the Council stood
As if they were changed into blocks of wood,
Unable to move a step, or cry
To the children merrily skipping by.
–Could only follow with the eye
That joyous crowd at the Piper’s back.
But how the Mayor was on the rack,
And the wretched Council’s bosoms beat,
As the Piper turned from the High Street
To where the Weser rolled its waters
Right in the way of their sons and daughters!
However he turned from South to West,
And to Koppelberg Hill his steps addressed,
And after him the children pressed;
Great was the joy in every breast.
“He never can cross that mighty top!
He’s forced to let the piping drop,
And we shall see our children stop!”
When, lo, as they reached the mountain-side,
A wondrous portal opened wide,
As if a cavern was suddenly hollowed;
And the Piper advanced and the children followed,
And when all were in to the very last,
The door in the mountain side shut fast.
Did I say, all? No; One was lame,
And could not dance the whole of the way;
And in after years, if you would blame
His sadness, he was used to say,–
“It’s dull in our town since my playmates left!
I can’t forget that I’m bereft
Of all the pleasant sights they see,
Which the Piper also promised me.
For he led us, he said, to a joyous land,
Joining the town and just at hand,
Where waters gushed and fruit-trees grew,
And flowers put forth a fairer hue,
And everything was strange and new;
The sparrows were brighter than peacocks here,
And their dogs outran our fallow deer,
And honey-bees had lost their stings,
And horses were born with eagles’ wings;
And just as I became assured
My lame foot would be speedily cured,
The music stopped and I stood still,
And found myself outside the hill,
Left alone against my will,
To go now limping as before,
And never hear of that country more!”

XIV.

Alas, alas for Hamelin!
There came into many a burgher’s pate
A text which says that Heaven’s gate
Opes to the rich at as easy rate
As the needle’s eye takes a camel in!
The Mayor sent East, West, North, and South,
To offer the Piper, by word of mouth,
Wherever it was men’s lot to find him,
Silver and gold to his heart’s content,
If he’d only return the way he went,
And bring the children behind him.
But when they saw ’twas a lost endeavour,
And Piper and dancers were gone for ever,
They made a decree that lawyers never
Should think their records dated duly
If, after the day of the month and year,
These words did not as well appear,
“And so long after what happened here
On the Twenty-second of July,
Thirteen hundred and seventy-six:”
And the better in memory to fix
The place of the children’s last retreat,
They called it, the Pied Piper’s Street–
Where any one playing on pipe or tabor,
Was sure for the future to lose his labour.
Nor suffered they hostelry or tavern
To shock with mirth a street so solemn;
But opposite the place of the cavern
They wrote the story on a column,
And on the great church-window painted
The same, to make the world acquainted
How their children were stolen away,
And there it stands to this very day.
And I must not omit to say
That in Transylvania there’s a tribe
Of alien people that ascribe
The outlandish ways and dress
On which their neighbours lay such stress,
To their fathers and mothers having risen
Out of some subterraneous prison
Into which they were trepanned
Long time ago in a mighty band
Out of Hamelin town in Brunswick land,
But how or why, they don’t understand.

XV.

So, Willy, let me and you be wipers
Of scores out with all men–especially pipers!
And, whether they pipe us free from rats or from mice,
If we’ve promised them aught, let us keep our promise!

The classic Christmas poem by Clement Clarke Moore, is also known as “The Night Before Christmas”. You will hear that Santa hasn’t changed a great deal since the poem was written in 1822, expect that he seemed to be ‘miniature’ back then, and he did not yet have a reindeer called Rudolf, though he did have Dasher, Dancer, Prancer and Vixen.

Read by Natasha Duration 5.15

Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse.
The stockings were hung by the chimney with care,
In hopes that St Nicholas soon would be there.

The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads.
And mamma in her ‘kerchief, and I in my cap,
Had just settled our brains for a long winter’s nap.

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.

The moon on the breast of the new-fallen snow
Gave the lustre of mid-day to objects below.
When, what to my wondering eyes should appear,
But a miniature sleigh, and eight tinny reindeer.

With a little old driver, so lively and quick,
I knew in a moment it must be St Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name!

“Now Dasher! now, Dancer! now, Prancer and Vixen!
On, Comet! On, Cupid! on, on Donner and Blitzen!
To the top of the porch! to the top of the wall!
Now dash away! Dash away! Dash away all!”

As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky.
So up to the house-top the coursers they flew,
With the sleigh full of Toys, and St Nicholas too.

And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St Nicholas came with a bound.

He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot.
A bundle of Toys he had flung on his back,
And he looked like a peddler, just opening his pack.

His eyes-how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard of his chin was as white as the snow.

The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath.
He had a broad face and a little round belly,
That shook when he laughed, like a bowlful of jelly!

He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself!
A wink of his eye and a twist of his head,
Soon gave me to know I had nothing to dread.

He spoke not a word, but went straight to his work,
And filled all the stockings, then turned with a jerk.
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose!

He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ‘ere he drove out of sight,
“Happy Christmas to all, and to all a good-night!”

These wonderfully nasty poems by Dr. Heinrich Hoffmann are about all those naughty children who DON’T deserve any presents this Christmas. We’ve chosen four from the collection of little horrors - Shock-Headed Peter, Cruel Frederick, Dreadful Harriet, and Flying Robert.

Natasha gives a wonderfully lively and amusing performance, but these stories are rather horrid by modern standards. Some small children might find them a bit scary

Struwwelpeter first appeared in English in 1848, three years after the German original, but who translated it is unknown.

As a special treat we present the original pictures and text including other poems from the collection.

Read with great verve by Natasha.

An early start in musical education can often help on the way to musical success.

Download the Spider and the Fly (How-to)

By Mary Howitt
If ever there were a story for children with a terrible warning, it is this. You will find it hard to miss the moral of this classic verse from the Victorian era. Natasha reads the Spider as a silky-throated villain, who weaves his web with flattery. His victem is the gauzy-winged fly.

Colin the Carp has a different interpretation. He thinks that flies are just scrumptious.

Mary Howitt has double-fame in the realm of Children’s literature. She was the first English translator of Hans Christian Andersen.

Read by Natasha. Duration 6.30.

You may also be interest in these external links:

Mary Howitt on the Wikipedia

A translation by Mary Howitt of “The True Story of my Life” by Hans Christian Andersen.

Text of The Spider and the fly by Mary Howitt (1799 to 1888).

“Will you walk into my parlour?” said the Spider to the Fly, ”
‘Tis the prettiest little parlour that ever you did spy;
The way into my parlour is up a winding stair,
And I have many curious things to show you when you are there.”
“Oh no, no,” said the Fly, “to ask me is in vain;
For who goes up your winding stair can ne’er come down again.”

“I’m sure you must be weary, dear, with soaring up so high;
Will you rest upon my little bed?” said the Spider to the Fly.
“There are pretty curtains drawn around, the sheets are fine and thin;
And if you like to rest awhile, I’ll snugly tuck you in!”
“Oh no, no,” said the little Fly, “for I’ve often heard it said
They never, never wake again, who sleep upon your bed!”

Said the cunning Spider to the Fly, “Dear friend, what can I do
To prove that warm affection I’ve always felt for you?
I have within my pantry, good store of all that’s nice;
I’m sure you’re very welcome - will you please take a slice?”
“Oh no, no,” said the little Fly, “kind sir, that cannot be,
I’ve heard what’s in your pantry, and I do not wish to see!”

“Sweet creature,” said the Spider, “you’re witty and you’re wise;
How handsome are your gauzy wings, how brilliant are your eyes!
I have a little looking-glass upon my parlour shelf;
If you step in one moment, dear, you shall behold yourself.”
“I thank you, gentle sir,” she said, “for what you’re pleased to say;
And bidding good morning now, I’ll call another day.”

The Spider turned him round about, and went into his den,
For well he knew the silly Fly would soon come back again;
So he wove a subtle web in a little corner sly,
And set his table ready to dine upon the Fly.
Then he came out to his door again, and merrily did sing,
“Come hither, hither, pretty Fly, with the pearl and silver wing;
Your robes are green and purple, there’s a crest upon your head;
Your eyes are like the diamond bright, but mine are as dull as lead.”

Alas, alas! how very soon this silly little Fly,
Hearing his wily, flattering words, came slowly flitting by;
With buzzing wings she hung aloft, Then near and nearer drew, -
Thinking only of her brilliant eyes, and green and purple hue;
Thinking only of her crested head - poor foolish thing! At last,
Up jumped the cunning Spider, and fiercely held her fast.
He dragged her up his winding stair, into his dismal den
Within his little parlour - but she ne’er came out again!

And now, dear little children, who may this story read,
To idle, silly, flattering words, I pray you ne’er heed;
Unto an evil counsellor close heart, and ear, and eye,
And take a lesson from this tale of the Spider and the Fly.

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If you have ever been tempted to be just a little bit greedy, then you will sympathise with the hero of The Mouse and the Cake by Eliza Cook. Like all good Victorian poems for children, this verse tale has a strong moral in its ending.

The Country Mouse and the City Mouse by Richard Scrafton Sharpe is an enormously charming tale, that is based on an ancient Latin satire by Horace. We are glad to say that the moral is not quite so severe as in The Mouse and the Cake.

Needless to say, Natasha brings both these poems to life with her usual flair and feeling. The full text is here.

Read by Natasha. Duration 8.20

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I

The Owl and the Pussy-cat went to sea
In a beautiful pea green boat,
They took some honey, and plenty of money,
Wrapped up in a five pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
‘O lovely Pussy! O Pussy my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!’

II

Pussy said to the Owl, ‘You elegant fowl!
How charmingly sweet you sing!
O let us be married! too long we have tarried:
But what shall we do for a ring?’
They sailed away, for a year and a day,
To the land where the Bong-tree grows
And there in a wood a Piggy-wig stood
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.

III

‘Dear pig, are you willing to sell for one shilling
Your ring?’ Said the Piggy, ‘I will.’
So they took it away, and were married next day
By the Turkey who lives on the hill.
They dined on mince, and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.

–

This romantic “nonsense” by Edward Lear is a classic of children’s literature. Its lilting rhythm has a wonderful calming effect on the senses. It even works on crying babies!

Read by Natasha Lee Lewis. Duration 2.35